![]() ![]() I will give 18 a shot tho, I have a reproduceable video (a few minute 1080p screencast clip) that always produces the artifacts but it happens in every video I export with varying degrees of severeness (in all cases it makes the final video unusable). The issue might be hardware related but I'm not interesting in buying an entirely new computer for a chance that 1 application might work. Unfortunately Resolve 17 was never able to export mp4s for me without introducing both video and audio artifacts into the final video that didn't exist in the timeline when editing so I can't use it for editing video even though I want to. ![]() It's a really great tool not just for video editing but audio editing too. I edited over 100 podcast episodes with DaVinci Resolve 17. That's why prores Raw is only acquired through external devices." The reason being is that Black Magic does that to get around RED' RAW patent of pure internal RAW. > ".partial debayering theory regarding BRAW. However, it must be taken into consideration that ProRes RAW is not natively available in Resolve." And external BRAW is less accurate (in terms of White Balancing) compared to internal BRAW from Blackmagic cameras. > "According to Sherif’s analysis, ProRes RAW is more… real raw than BRAW. In a sentence, ProRes RAW has defeated BRAW" To make the story short, ProRes RAW demonstrated much better (and real) raw compared to BRAW. Furthermore, Sherif has used a blue channel as an X-ray to explore macro-blocking that appears in highly compressed media (H.265 for instance), and that compression is presented by pixels structure that indicates an unbaked image that came straight out of the sensor. ![]() "Sherif analyzed noise levels by comparing ProRes RAW and BRAW and found that ProRes RAW has significantly higher noise levels than the external BRAW.
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